四年一度的亚洲体育盛会“亚运会”将于9月23日至10月8日在杭州盛大举行。HOY TV作为香港唯一独家转播电视频道，不仅会为香港观众呈现最新、最精彩的体育赛事。那么，本届“杭州亚运”周边有哪些新设施、新玩法来配合并吸引市民观赏这一国际体育盛事呢？两位“活力女神”在亚运举办前夕率先探寻杭州这座主办城市周边有什么好玩的、好吃的、值得体验的，还会介绍一系列“杭州亚运”周边的最新配套，为观众带来一手的杭州旅游资讯。

四年一度的亞洲體壇盛事「亞運會」將會於 9 月 23 日至 10 月 8 日假杭州隆重舉行， HOY TV 作為香港唯一獨家轉播電視頻道，除了會為香港觀眾提供最新最精彩體育賽事之外，究竟今屆「杭州亞運」周邊有甚麼新設施、新玩意去配合以及吸引市民去觀賞這次國際體壇盛事呢？兩位「活力女神」於亞運舉行前夕率先探索杭州這個主辦城市附近有甚麼好玩、好食、好體驗，還會介紹一系列最新「杭州亞運」附近配套，為觀眾帶來第一手杭州旅遊資訊。

深夜裡，下班的阿寇走在無人的市場裡。突然閃爍的霓虹燈，引起阿寇的注意：一台擺滿扭蛋的老舊娃娃機。機台斗大標題寫著「解開七色扭蛋之謎，神秘大獎即刻降臨。」但當他收集完所有扭蛋之後，迎來的卻是一個意想不到的死亡殺機。由金鐘視帝姚淳耀擔綱演出。

Synopsis 　　Having lost her husband in the Korean War and living as a refugee with her daughter Ju (Lee Seong-ju), Shin (Lee Min-ja) gets by with the help of her late husband's friend Lee Seong-jin (Shin Dong-hun). However, Lee's sense of duty toward his friend's widow soon turns into love. Sensing his feelings for Shin, Lee's wife (Park Yeong-suk) upbraids her husband in deep jealousy and hysteria, and even resorts to finding solace in the arms of a young man named Taek (Lee Taek-kyun), whom she meets by chance. The fiery affair between Taek and Lee's wife takes a different turn when Taek saves Shin's daughter Ju from drowning at the beach. Although Shin finds herself receiving romantic overtures from Lee, she falls in love instead with the savior of her daughter's life and entrusts her daughter to another family in order to move in with Taek. Unfortunately, Taek's former girlfriend Jin (Na Ae-sim), thought to have died in the war, returns and he decides to leave Shin, to her utter dismay. Already settled with Jin, Taek bids Shin farewell, but Shin, who had sought to find truth in her love life with Taek, is shocked into pointing a knife at her lover. 　　Notes 　　"The first and final film by Korea's original female director, Park Nam-ok, which faithfully portrays from a female perspective the desires of women after the Korean War." 　　The Widow, by Korea's first female director, realistically portrays from a woman's perspective the actual hardships and circumstances faced by post-war widows. When her husband's death results in the loss of her livelihood, the female protagonist accepts financial assistance from her husband's friend even as she resists his romantic advances. When she falls in love with a younger man, she is true to her own desires to the extent of leaving her daughter with another family and setting up a business and a home with the money she has received from her husband's friend. Interestingly, The Widowdoes not mythologize its depiction of motherhood, opting instead to starkly represent the honest desires of women after the war. Although Shin demonstrates inner conflict between romantic and maternal love, she ultimately chooses the former. The film could be said to present its female protagonist as someone, who is shockingly true to herself, but, at the same time, it refrains from vilifying her, or depicts her in an unsympathetic light. 　　Unlike many male directors who looked with a hypocritical, duplicitous gaze of fascination and chastisement on post-war "apres girls," Park Nam-ok's empathetic portrayal maintains a clear female perspective by showing just how difficult it was for women to survive among men while realizing their own desires. 　　Afterword: 　　- The surviving film stock lacks the final scene, making it difficult to ascertain the film's ending. 　　- The Widow came under the spotlight when it was screened at the 1st Women's Film Festival in Seoul, in 1997.

香港人愛遊日本，東京更是「玩極唔厭」！團長森美再次出動，帶同星級團友麥美恩、丁子朗、吳若希瘋狂玩轉東京、伊東、山梨、箱根、小田原等地，發掘最有「森」度的食、買、玩體驗。 一行人大歎靚景溫泉、秘探胖女僕主題Cafe、搜購潮流服飾用品、吃盡平價海鮮與地道美食，還會挑戰人造滑浪、163米長滑梯、室內攀石等，引發連場爆趣火花。人氣大胃女王、重量級相撲手等地膽嘉賓亦現身節目，和團友們大玩特玩！

單性別的名校總是抹煞了青春浪漫的校園愛情，那聯校活動會否是一個好契機？就讀男校多年的政仁渴望又害怕跟異性相處，一天被同校好友俊傑強行拉入與女校組成的混聲合唱團，邂逅了熱愛唱歌的韻芊。怎料愛神之箭原來繫上箭書，政仁還要面對友情的考驗和學校制度不公等人生課題。電影充滿漫畫化的精心處理，插科打諢的滑稽場面奏出準確的喜劇節奏，年輕人的率真懵懂活現眼前，結局筆鋒一轉成反高潮，又道盡理想破落的成長苦澀。

香港人愛遊日本，東京更是「玩極唔厭」！團長森美再次出動，帶同星級團友麥美恩、丁子朗、吳若希瘋狂玩轉東京、伊東、山梨、箱根、小田原等地，發掘最有「森」度的食、買、玩體驗。 一行人大歎靚景溫泉、秘探胖女僕主題Cafe、搜購潮流服飾用品、吃盡平價海鮮與地道美食，還會挑戰人造滑浪、163米長滑梯、室內攀石等，引發連場爆趣火花。人氣大胃女王、重量級相撲手等地膽嘉賓亦現身節目，和團友們大玩特玩！

Chor Yuen was Gu Long before he started filming Gu Long. The director's first wuxia film, made at Shaws' rival Cathay, finds him relishing in a mode of expression that would later become the signature style of the 'martial-arts suspense thriller' mini-genre. Chor grafts the quasi-psychological stylishness of his Cantonese melodrama onto this actioner, laying on thick the atmosphere by dialling up the fog machine and unleashing the colours from his camera's palette. He also stages his fights in modern dance-like choreography, with moves that are more graceful than ferocious and paused poses that are longer on expressive narcissism than continuity of action. Cold Blade is the quiet beginning of an aesthetic.

军阀即将发动战争,军火库是人人急眼的地方.汉奸英雄各个雄起,壁虎功是个传奇的功夫,而壁虎游龙成为了隐形的英雄.

24岁生日当天，芭芭拉得知丈夫战死越南，20年后，她决定拍一部关于越战的电影。在一位南越遗孀的陪同下，她走遍丈夫当年打仗的地方，藉由影像和新闻片段的交错寻问战争的本质，美、越两地的战后寡妇交相谈论战争带来的阴影，并不是要批判战争，而是让一段段错失的得以重新复活。